{"id":8512,"date":"2005-02-15T00:00:00","date_gmt":"2005-02-14T16:00:00","guid":{"rendered":"http:\/\/15.134.89.131\/archive\/2005\/02\/15\/%e7%ac%ac47%e5%b1%8a%e6%a0%bc%e8%8e%b1%e7%be%8e%e9%9f%b3%e4%b9%90%e5%a5%96%e5%ae%8c%e5%85%a8%e8%8e%b7%e5%a5%96%e5%90%8d%e5%8d%95\/"},"modified":"2026-05-20T06:47:55","modified_gmt":"2026-05-19T22:47:55","slug":"%e7%ac%ac47%e5%b1%8a%e6%a0%bc%e8%8e%b1%e7%be%8e%e9%9f%b3%e4%b9%90%e5%a5%96%e5%ae%8c%e5%85%a8%e8%8e%b7%e5%a5%96%e5%90%8d%e5%8d%95","status":"publish","type":"post","link":"http:\/\/15.134.89.131\/archive\/?p=8512","title":{"rendered":"\u7b2c47\u5c4a\u683c\u83b1\u7f8e\u97f3\u4e50\u5956\u5b8c\u5168\u83b7\u5956\u540d\u5355"},"content":{"rendered":"<p style=\"color: #666; font-size: 14px; margin-bottom: 15px;\">\ud83d\udc49 <strong>\u672c\u6587\u4f5c\u8005\uff1a<\/strong>lee-recommended<\/p>\n<hr style=\"border: 0; border-top: 1px dashed #ddd; margin-bottom: 20px;\" \/>\n<!--enpcontent--><\/p>\n<p><font size=\"2\">Category 1<br \/>\n<\/font><\/p>\n<p><font size=\"2\">1\u3001\u5e74\u5ea6\u5355\u66f2 [Record Of The Year]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Here We Go Again<br \/>\nRay Charles &amp; Norah Jones<br \/>\nJohn Burk, producer;<br \/>\nTerry Howard &amp; Al Schmitt, engineers\/mixers<br \/>\nTrack from: Genius Loves<br \/>\nCompany<br \/>\n[Concord Records\/Hear Music]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">2\u3001\u5e74\u5ea6\u4e13\u8f91[Album Of The Year]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Genius Loves Company<br \/>\nRay Charles &amp; Various Artists<br \/>\nJohn Burk, Terry<br \/>\nHoward, Don Mizell, Phil Ramone &amp; Herbert Waltl, <br \/>\nproducers; Robert<br \/>\nFernandez, John Harris, Terry Howard, Pete Karam, <br \/>\nJoel Moss, Seth Presant,<br \/>\nAl Schmitt &amp;<\/font><\/p>\n<table align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td>  <script language=\"JavaScript1.1\" src=\"http:\/\/ads.online.sh.cn\/js.ng\/site=online.sh&amp;size=360x300&amp;cat=Yule&amp;PagePos=9000\">  <\/script><font size=\"2\"><a target=\"_blank\" href=\"http:\/\/ads.online.sh.cn\/event.ng\/Type=click&amp;FlightID=2663&amp;AdID=3291&amp;TargetID=418&amp;Segments=1,89,437,442,551&amp;Targets=126,413,418,527&amp;Values=30,46,50,60,72,91,100,110,150,193,215,355,397,637&amp;RawValues=&amp;Redirect=http:\/\/www.sia.sh.cn\/\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/adsp.online.sh.cn\/04052704.gif\" alt=\"\" border=\"0\" height=\"1\" width=\"1\"><\/a><\/font>   <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><font size=\"2\">  ; Ed Thacker, engineers\/mixers; <br \/>\nRobert Hadley &amp; Doug Sax,<br \/>\nmastering engineers<br \/>\n[Concord Records\/Hear Music]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n3\u3001\u5e74\u5ea6\u6b4c\u66f2[Song Of The Year]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Daughters<br \/>\nJohn Mayer, songwriter (John Mayer)<br \/>\nTrack from: Heavier<br \/>\nThings<br \/>\n[Aware Records\/Columbia; Publishers: Sony\/ATV Tunes\/Specific Harm<br \/>\n<br \/>\nMusic.]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">4\u3001\u6700\u4f73\u65b0\u4eba[Best New Artist]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Maroon 5<br \/>\n<\/font><\/p>\n<p><font size=\"2\">\u4e00\u3001\u6d41\u884c\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\">5\u3001\u6700\u4f73\u6d41\u884c\u5973\u6b4c\u624b[Best Female Pop Vocal Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Sunrise<br \/>\nNorah Jones<br \/>\nTrack from: Feels Like Home<br \/>\n[Blue Note Records]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\"><br \/>\n6\u3001\u6700\u4f73\u6d41\u884c\u7537\u6b4c\u624b[Best Male Pop Vocal Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Daughters<br \/>\nJohn Mayer<br \/>\nTrack from: Heavier Things<br \/>\n[Aware<br \/>\nRecords\/Columbia]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\">7\u3001\u6700\u4f73\u6d41\u884c\u7ec4\u5408[Best Pop Performance By A Duo Or Group With Vocal]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Heaven<br \/>\nLos Lonely Boys<br \/>\nTrack from: Los Lonely Boys<br \/>\n[Or Music\/Epic<br \/>\nRecords]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">8\u3001\u6700\u4f73\u6d41\u884c\u5408\u5531[Best Pop Collaboration With Vocals]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nHere We Go Again<br \/>\nRay Charles &amp; Norah Jones<br \/>\nTrack from: Genius<br \/>\nLoves Company<br \/>\n[Concord Records\/Hear Music]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\"><br \/>\n9\u3001\u6700\u4f73\u6d41\u884c\u5668\u4e50\u8868\u6f14[Best Pop Instrumental Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">11th Commandment<br \/>\nBen Harper<br \/>\nTrack from: There Will Be A<br \/>\nLight<br \/>\n[Virgin Records]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\"><br \/>\n10\u3001\u6700\u4f73\u6d41\u884c\u5668\u4e50\u4e13\u8f91[Best Pop Instrumental Album]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Henry Mancini: Pink Guitar<br \/>\nVarious Artists<br \/>\nJames Jensen,<br \/>\nproducer<br \/>\n[Solid Air Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n11\u3001\u6700\u4f73\u6d41\u884c\u6f14\u5531\u4e13\u8f91[Best Pop Vocal Album]<br \/>\n(For albums containing 51% or more<br \/>\nplaying time of VOCAL tracks.)<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Genius Loves Company<br \/>\nRay Charles &amp; Various Artists<br \/>\n[Concord<br \/>\nRecords\/Hear Music]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n\u4e8c\u3001\u821e\u66f2\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\">12\u3001\u6700\u4f73\u821e\u66f2\u5f55\u97f3[Best Dance Recording]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Toxic<br \/>\nBritney Spears<br \/>\nAvant &amp; Bloodshy, producers; Niklas Flyckt,<br \/>\nmixer<br \/>\nTrack from: In The Zone<br \/>\n[Jive\/Zomba Label Group]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n13\u3001\u6700\u4f73\u7535\u5b50\/\u821e\u66f2\u4e13\u8f91[Best Electronic\/Dance Album]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nKish Kash<br \/>\nBasement Jaxx<br \/>\n[XL Recordings\/Astralwerks]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n\u4e09\u3001\u4f20\u7edf\u6d41\u884c\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n14\u3001\u6700\u4f73\u4f20\u7edf\u6d41\u884c\u6f14\u5531\u4e13\u8f91[Best Traditional Pop Vocal Album]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Stardust&#8230;The Great American Songbook Volume III<br \/>\nRod Stewart<br \/>\n[J<br \/>\nRecords]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">\u56db\u3001\u6447\u6eda\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n15\u3001\u6700\u4f73\u6447\u6eda\u6b4c\u624b[Best Solo Rock Vocal Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Code Of Silence<br \/>\nBruce Springsteen<br \/>\nTrack from: The Essential Bruce<br \/>\nSpringsteen<br \/>\n[Columbia Records]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\"><br \/>\n16\u6700\u4f73\u6447\u6eda\u6f14\u5531\u7ec4\u5408Best Rock Performance By A Duo Or Group With Vocal <br \/>\n(For<br \/>\nduo, group or collaborative performances, with vocals. Singles <br \/>\nor Tracks<br \/>\nonly.)<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Vertigo<br \/>\nU2<br \/>\n[Interscope Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">17\u3001\u6700\u4f73\u786c\u6447\u6eda\u4f5c\u54c1[Best Hard Rock Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Slither<br \/>\nVelvet Revolver<br \/>\n[RCA]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\">18\u3001\u6700\u4f73\u91cd\u91d1\u5c5e\u4f5c\u54c1[Best Metal Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nWhiplash<br \/>\nMotorhead<br \/>\n[Big Deal Records]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\">19\u3001\u6700\u4f73\u6447\u6eda\u5668\u4e50\u4f5c\u54c1[Best Rock Instrumental Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Mrs. O&#8217;Leary&#8217;s Cow<br \/>\nBrian Wilson<br \/>\nTrack from: Brian Wilson Presents<br \/>\nSmile<br \/>\n[Nonesuch Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n20\u3001\u6700\u4f73\u6447\u6eda\u6b4c\u66f2[Best Rock Song]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Vertigo<br \/>\nBono, Adam Clayton, The Edge &amp; Larry Mullen, songwriters<br \/>\n(U2)<br \/>\n[Interscope Records; Publisher: Universal Polygram International<br \/>\n<br \/>\nPublishing.]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\">21\u3001\u6700\u4f73\u6447\u6eda\u4e13\u8f91[Best Rock Album]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">American Idiot<br \/>\nGreen Day<br \/>\n[Reprise Records]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\">\u4e94\u3001\u975e\u4e3b\u6d41\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n22\u3001\u6700\u4f73\u975e\u4e3b\u6d41\u97f3\u4e50\u4e13\u8f91[Best Alternative Music Album]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">A Ghost Is Born<br \/>\nWilco<br \/>\n[Nonesuch Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">\u516d\u3001\u8282\u594f\u5e03\u9c81\u65af\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\">23\u3001\u6700\u4f73\u8282\u594f\u5e03\u9c81\u65af\u5973\u6b4c\u624b[Best Female R&amp;B Vocal Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">If I Ain&#8217;t Got You<br \/>\nAlicia Keys<br \/>\nTrack from: The Diary Of Alicia<br \/>\nKeys<br \/>\n[J Records]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\">24\u3001\u6700\u4f73\u8282\u594f\u5e03\u9c81\u65af\u7537\u6b4c\u624b[Best Male R&amp;B Vocal Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Call My Name<br \/>\nPrince<br \/>\nTrack from: Musicology<br \/>\n[Columbia Records\/NPG<br \/>\nRecords]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">25\u3001\u6700\u4f73\u8282\u594f\u5e03\u9c81\u65af\u5408\u5531\u6b4c\u66f2[Best R&amp;B Performance By A Duo Or Group <br \/>\nWith Vocals]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">My Boo<br \/>\nUsher &amp; Alicia Keys<br \/>\nTrack from: Confessions Special<br \/>\nEdition<br \/>\n[Arista\/La Face\/Zomba Label Group]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">26\u3001\u6700\u4f73\u4f20\u7edf\u8282\u594f\u5e03\u9c81\u65af\u6f14\u5531[Best Traditional R&amp;B Vocal Performance ]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Musicology<br \/>\nPrince<br \/>\nTrack from: Musicology<br \/>\n[Columbia Records\/NPG<br \/>\nRecords]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\">27\u3001\u6700\u4f73\u57ce\u5e02\/\u975e\u4e3b\u6d41\u6f14\u5531[Best Urban\/Alternative Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Cross My Mind<br \/>\nJill Scott<br \/>\nTrack from: Beautifully Human: Words &amp;<br \/>\nSounds Vol. 2<br \/>\n[Hidden Beach]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">28\u3001\u6700\u4f73\u8282\u594f\u5e03\u9c81\u65af\u6b4c\u66f2[Best R&amp;B Song]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">You Don&#8217;t Know My Name<br \/>\nAlicia Keys, Harold Lilly &amp; Kanye West,<br \/>\nsongwriters (Alicia Keys)<br \/>\nTrack from: The Diary Of Alicia Keys<br \/>\n[J Records;<br \/>\nPublishers: Lellow Productions\/EMI Music Publishing, Ye <br \/>\nWorld Music\/EMI<br \/>\nApril Music, Uncle Bobby Music\/EMI Blackwood Music &amp; <br \/>\nA Dish-A-Tunes<br \/>\nLtd.]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\">29\u3001\u6700\u4f73\u8282\u594f\u5e03\u9c81\u65af\u4e13\u8f91[Best R&amp;B Album]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nThe Diary Of Alicia Keys<br \/>\nAlicia Keys<br \/>\n[J Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n30\u3001\u6700\u4f73\u5f53\u4ee3\u8282\u594f\u5e03\u9c81\u65af\u4e13\u8f91[Best Contemporary R&amp;B Album]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Confessions<br \/>\nUsher<br \/>\n[Arista\/LaFace\/Zomba Label Group]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n\u4e03\u3001\u8bf4\u5531\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\">31\u3001\u6700\u4f73\u8bf4\u5531\u4e50\u6f14\u5531\u5956[Best Rap Solo Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">99 Problems<br \/>\nJay-Z<br \/>\nTrack from: The Black Album<br \/>\n[Roc-A-Fella Records]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\">32\u3001\u6700\u4f73\u8bf4\u5531\u4e50\u5408\u5531\u6b4c\u66f2[Best Rap Performance By A Duo Or Group]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Let&#8217;s Get It Started<br \/>\nThe Black Eyed Peas<br \/>\nTrack from:<br \/>\nElephunk<br \/>\n[A&amp;M Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n33\u3001\u6700\u4f73\u8bf4\u5531\u5408\u4f5c\u6b4c\u66f2[Best Rap\/Sung Collaboration]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nYeah!<br \/>\nUsher Featuring Lil Jon &amp; Ludacris<br \/>\nTrack from:<br \/>\nConfessions<br \/>\n[Arista\/LaFace\/Zomba Label Group]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n34\u3001\u6700\u4f73\u8bf4\u5531\u6b4c\u66f2[Best Rap Song]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Jesus Walks<br \/>\nMiri Ben Ari, C. Smith &amp; Kanye West, songwriters (Kanye<br \/>\nWest)<br \/>\nTrack from: The College Drop-Out<br \/>\n[Rocafella Records; Publishers:<br \/>\nKonman Entertainment\/Gimme My<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Publishing Co.\/Hip Hop Since 1978 &amp; Mapleshade Productions.]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">35\u3001Best Rap Album[\u6700\u4f73\u8bf4\u5531\u4e13\u8f91]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">The College Dropout<br \/>\nKanye West<br \/>\n[Roc-A-Fella Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">\u516b\u3001\u4e61\u6751\u4e50<br \/>\n<\/font><\/p>\n<p><font size=\"2\">36\u3001\u6700\u4f73\u4e61\u6751\u4e50\u5973\u6b4c\u624b[Best Female Country Vocal Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Redneck Woman<br \/>\nGretchen Wilson<br \/>\nTrack from: Here For The Party<br \/>\n[Epic<br \/>\nRecords]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">37\u3001\u6700\u4f73\u4e61\u6751\u4e50\u7537\u6b4c\u624b[Best Male Country Vocal Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Live Like You Were Dying<br \/>\nTim McGraw<br \/>\nTrack from: Live Like You Were<br \/>\nDying<br \/>\n[Curb Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">38\u3001\u6700\u4f73\u4e61\u6751\u4e50\u7ec4\u5408[Best Country Performance By A Duo Or Group With Vocal]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Top Of The World<br \/>\nDixie Chicks<br \/>\nTrack from: Top Of The World Tour &#8211;<br \/>\nLive<br \/>\n[Columbia]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n39\u3001\u6700\u4f73\u4e61\u6751\u5408\u5531\u6b4c\u66f2[Best Country Collaboration With Vocals]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Portland Oregon<br \/>\nLoretta Lynn &amp; Jack White<br \/>\nTrack from: Van Lear<br \/>\nRose<br \/>\n[Interscope Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n40\u3001\u6700\u4f73\u4e61\u6751\u4e50\u6f14\u594f\u5956[Best Country Instrumental Performance]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Earl&#8217;s Breakdown<br \/>\nNitty Gritty Dirt Band Featuring Earl Scruggs, Randy<br \/>\nScruggs, Vassar Clements &amp; Jerry Douglas<br \/>\nTrack from: Will The Circle Be<br \/>\nUnbroken &#8220;The Trilogy&#8221;<br \/>\n[Capitol Records &#8211; Nashville]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n41\u3001\u6700\u4f73\u4e61\u6751\u4e50\u6b4c\u66f2[Best Country Song]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Live Like You Were Dying<br \/>\nTim Nichols &amp; Craig Wiseman, songwriters (Tim<br \/>\nMcGraw)<br \/>\nTrack from: Live Like You Were Dying<br \/>\n[Curb Records; Publishers:<br \/>\nWarner-Tamerlane Publishing\/Big Loud Shirt.]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">42 \u6700\u4f73\u4e61\u6751\u4e50\u4e13\u8f91[Best Country Album]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Van Lear Rose<br \/>\nLoretta Lynn<br \/>\n[Interscope Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">43\u3001\u6700\u4f73\u84dd\u8349\u4e50\u4e13\u8f91[Best Bluegrass Album]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Brand New Strings<br \/>\nRicky Skaggs &amp; Kentucky Thunder<br \/>\n[Skaggs Family<br \/>\nRecords]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">\u4e5d\u3001\u65b0\u4e16\u7eaa\u97f3\u4e50\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\">44\u3001\u6700\u4f73\u65b0\u4e16\u7eaa\u97f3\u4e50\u4e13\u8f91[Best New Age Album]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nReturning<br \/>\nWill Ackerman<br \/>\n[Decca]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n\u5341\u3001\u7235\u58eb\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\">45\u3001\u6700\u4f73\u5f53\u4ee3\u7235\u58eb\u4e13\u8f91[Best Contemporary Jazz Album]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Unspeakable<br \/>\nBill Frisell<br \/>\n[Nonesuch Records]<br \/>\n<\/font><\/p>\n<\/p>\n<p><font size=\"2\">46 \u6700\u4f73\u7235\u58eb\u6f14\u5531\u4e13\u8f91Best Jazz Vocal Album<br \/>\nR.S.V.P. (Rare Songs, Very<br \/>\nPersonal)<br \/>\nNancy Wilson<br \/>\n[MCG Jazz]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">47 \u6700\u4f73\u7235\u58eb\u6f14\u5531\u4e13\u8f91Best Jazz Instrumental Solo<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Speak Like A Child<br \/>\nHerbie Hancock, soloist<br \/>\nTrack from: With All My<br \/>\nHeart (Harvey Mason)<br \/>\n[Bluebird]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">48 \u6700\u4f73\u7235\u58eb\u5668\u4e50\u4e13\u8f91Best Jazz Instrumental Album, Individual or Group<br \/>\n<br \/>\nIlluminations<br \/>\nMcCoy Tyner With Gary Bartz, Terence Blanchard, Christian<br \/>\nMcBride &amp; Lewis Nash<br \/>\n[Telarc Jazz]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">49 \u6700\u4f73\u5927\u578b\u7235\u58eb\u7ec4\u5408\u4e13\u8f91Best Large Jazz Ensemble Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Concert In The Garden<br \/>\nMaria Schneider Orchestra<br \/>\n[ArtistShare]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">50 \u6700\u4f73\u62c9\u4e01\u7235\u58eb\u4e13\u8f91Best Latin Jazz Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Land Of The Sun<br \/>\nCharlie Haden<br \/>\n[Verve International]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">\u5341\u4e00 \u798f\u97f3\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\">51\u6700\u4f73\u798f\u97f3\u6f14\u5531Best Gospel Performance<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Heaven Help Us All<br \/>\nRay Charles &amp; Gladys Knight<br \/>\nTrack from: Genius<br \/>\nLoves Company<br \/>\n[Concord Records\/Hear Music]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">52 \u6700\u4f73\u6447\u6eda\u798f\u97f3\u4e13\u8f91Best Rock Gospel Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Wire<br \/>\nThird Day<br \/>\n[Essential Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">53 \u6700\u4f73\u6d41\u884c\u798f\u97f3\u4e13\u8f91Best Pop\/Contemporary Gospel Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">All Things New<br \/>\nSteven Curtis Chapman<br \/>\n[Sparrow Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">54 \u6700\u4f73\u5357\u65b9\u3001\u4e61\u6751\u6216\u84dd\u8349\u798f\u97f3\u4e13\u8f91Best Southern, Country, or Bluegrass Gospel Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Worship &amp; Faith<br \/>\nRandy Travis<br \/>\n[Word Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">55 \u6700\u4f73\u4f20\u7edf\u7075\u6b4c\u798f\u97f3\u4e13\u8f91Best Traditional Soul Gospel Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">There Will Be A Light<br \/>\nBen Harper &amp; The Blind Boys Of<br \/>\nAlabama<br \/>\n[Virgin]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">56 \u6700\u4f73\u5f53\u4ee3\u7075\u6b4c\u798f\u97f3\u4e13\u8f91Best Contemporary Soul Gospel Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Nothing Without You<br \/>\nSmokie Norful<br \/>\n[EMI Gospel]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n57 \u6700\u4f73\u798f\u97f3\u5408\u5531\u4e13\u8f91Best Gospel Choir Or Chorus Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Live In New York<br \/>\nRev. Timothy Wright, choir director; New York Fellowship<br \/>\nMass Choir II<br \/>\n[Atlanta International Records (AIRGospel)]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">\u5341\u4e8c \u62c9\u4e01\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\">58 \u6700\u4f73\u62c9\u4e01\u6d41\u884c\u4e13\u8f91Best Latin Pop Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nAmar Sin Mentiras<br \/>\nMarc Anthony<br \/>\n[Sony Discos]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">59 \u6700\u4f73\u62c9\u4e01\u6447\u6eda\/\u975e\u4e3b\u6d41\u4e13\u8f91Best Latin Rock\/Alternative Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nStreet Signs<br \/>\nOzomatli<br \/>\n[Concord Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">60 \u6700\u4f73\u4f20\u7edf\u70ed\u5e26\u62c9\u4e01\u4e13\u8f91Best Traditional Tropical Latin Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n?Ahora S\u00ed!<br \/>\nIsrael L\u00f3pez &#8220;Cachao&#8221;<br \/>\n[Univision Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">61 \u6700\u4f73\u838e\u6c99\/\u6885\u4f26\u683c\u4e13\u8f91Best Salsa\/Merengue Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nAcross 110th Street<br \/>\nSpanish Harlem Orchestra Featuring Ruben<br \/>\nBlades<br \/>\n[Libertad Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">62 \u6700\u4f73\u58a8\u897f\u54e5\u4e13\u8f91Best Mexican\/Mexican-American Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nIntimamente<br \/>\nIntocable<br \/>\n[EMI Latin]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">63 \u6700\u4f73\u7279\u52a0\u8bfa\u4e13\u8f91Best Tejano Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Polkas, Gritos y Acorde\u00f3nes<br \/>\nDavid Lee Garza, Joel Guzman &amp; Sunny<br \/>\nSauceda<br \/>\n[Guzman Fox Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">\u5341\u4e09 \u5e03\u9c81\u65af\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\">64 \u6700\u4f73\u4f20\u7edf\u5e03\u9c81\u65af\u4e13\u8f91Best Traditional Blues Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nBlues To The Bone<br \/>\nEtta James<br \/>\n[RCA Victor]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">65 \u6700\u4f73\u5f53\u4ee3\u5e03\u9c81\u65af\u4e13\u8f91Best Contemporary Blues Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nKeep It Simple<br \/>\nKeb&#8217; Mo&#8217;<br \/>\n[Epic\/Okeh]<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n\u5341\u56db \u6c11\u8c23\u7c7b<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\n66 \u6700\u4f73\u4f20\u7edf\u6c11\u8c23\u4e13\u8f91Best Traditional Folk Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\"><br \/>\nBeautiful Dreamer &#8211; The Songs Of Stephen Foster<br \/>\nVarious<br \/>\nArtists<br \/>\nSteve Fishell, David Macias &amp; Tamara Saviano,<br \/>\nproducers<br \/>\n[American Roots Publishing]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">67 \u6700\u4f73\u5f53\u4ee3\u6c11\u8c23\u4e13\u8f91Best Contemporary Folk Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">The Revolution Starts&#8230;Now<br \/>\nSteve Earle<br \/>\n[Artemis Records\/E-Squared]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">68 \u6700\u4f73\u7f8e\u56fd\u672c\u571f\u97f3\u4e50\u4e13\u8f91Best Native American Music Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Cedar Dream Songs<br \/>\nBill Miller<br \/>\n[Paras Recordings]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">69 \u6700\u4f73\u590f\u5a01\u5937\u97f3\u4e50\u4e13\u8f91Best Hawaiian Music Album<br \/>\n<\/font><\/p>\n<p><font size=\"2\">Slack Key Guitar Volume 2<br \/>\nVarious Artists<br \/>\nCharles Michael Brotman,<br \/>\nproducer<br \/>\n[Palm Records] <\/font><\/p>\n<p><font size=\"2\">\u5341\u4e94 \u96f7\u5409\u4e50\u7c7b<\/font><\/p>\n<p><font size=\"2\">70 \u6700\u4f73\u96f7\u5409\u4e50\u4e13\u8f91Best Reggae Album <\/font><\/p>\n<p><font size=\"2\">True Love<br \/>\nToots &amp; The Maytals<br \/>\n[V2 Records] <\/font><\/p>\n<p><font size=\"2\">\u5341\u516d \u4e16\u754c\u97f3\u4e50\u7c7b<\/font><\/p>\n<p><font size=\"2\">71\u6700\u4f73\u4f20\u7edf\u4e16\u754c\u97f3\u4e50\u4e13\u8f91Best Traditional World Music Album <\/font><\/p>\n<p><font size=\"2\"><br \/>\nRaise Your Spirit Higher<br \/>\nLadysmith Black Mambazo<br \/>\n[Heads Up<br \/>\nInternational] <\/font><\/p>\n<p><font size=\"2\">72 \u6700\u4f73\u5f53\u4ee3\u4e16\u754c\u97f3\u4e50\u4e13\u8f91Best Contemporary World Music Album <\/font><\/p>\n<p><font size=\"2\">Egypt<br \/>\nYoussou N&#8217;Dour<br \/>\n[Nonesuch] <\/font><\/p>\n<p><font size=\"2\">\u5341\u4e03 \u6ce2\u5c14\u5361\u7c7b<\/font><\/p>\n<p><font size=\"2\">73 \u6700\u4f73\u6ce2\u5c14\u5361\u4e13\u8f91Best Polka Album <\/font><\/p>\n<p><font size=\"2\">Let&#8217;s Kiss: 25th Anniversary Album<br \/>\nBrave Combo<br \/>\n[DenTone] <\/font><\/p>\n<p><font size=\"2\">\u5341\u516b \u513f\u7ae5\u7c7b<\/font><\/p>\n<p><font size=\"2\">74 \u6700\u4f73\u513f\u7ae5\u97f3\u4e50\u4e13\u8f91Best Musical Album For Children <\/font><\/p>\n<p><font size=\"2\">cELLAbration! A Tribute To Ella Jenkins<br \/>\nVarious Artists<br \/>\nCathy Fink<br \/>\n&amp; Marcy Marxer, producers<br \/>\n[Smithsonian Folkways Recordings] <\/font><\/p>\n<p><font size=\"2\">75 \u6700\u4f73\u513f\u7ae5\u4f1a\u8bdd\u4e13\u8f91Best Spoken Word Album For Children <\/font><\/p>\n<p><font size=\"2\">The Train They Call The City Of New Orleans<br \/>\nTom Chapin<br \/>\n[Live Oak Media]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">\u5341\u4e5d \u8bdd\u8bed\u7c7b<\/font><\/p>\n<p><font size=\"2\">76 \u6700\u4f73\u4f1a\u8bdd\u4e13\u8f91Best Spoken Word Album <\/font><\/p>\n<p><font size=\"2\">My Life<br \/>\nBill Clinton<br \/>\n[Random House Audio] <\/font><\/p>\n<p><font size=\"2\">\u4e8c\u5341\u3001\u559c\u5267\u7c7b <\/font><\/p>\n<p><font size=\"2\">77 \u6700\u4f73\u559c\u5267\u4e13\u8f91Best Comedy Album <\/font><\/p>\n<p><font size=\"2\">The Daily Show With Jon Stewart Presents&#8230;America: A Citizen&#8217;s Guide To<br \/>\nDemocracy Inaction<br \/>\nJon Stewart And The Cast Of The Daily Show<br \/>\n[Time Warner<br \/>\nAudiobooks] <\/font><\/p>\n<p><font size=\"2\">\u4e8c\u5341\u4e00 \u97f3\u4e50\u5267\u7c7b <\/font><\/p>\n<p><font size=\"2\">78 \u6700\u4f73\u97f3\u4e50\u5267\u4e13\u8f91Best Musical Show Album <\/font><\/p>\n<p><font size=\"2\">Wicked<br \/>\nStephen Schwartz, producer; Stephen Schwartz, composer\/lyricist<br \/>\n(Original Broadway Cast Recording With Kristin Chenoweth &amp; Idina<br \/>\nMenzel)<br \/>\n[Decca Broadway] <\/font><\/p>\n<p><font size=\"2\">\u4e8c\u5341\u4e8c \u7535\u5f71\u7535\u89c6\u7c7b<\/font><\/p>\n<p><font size=\"2\">79 \u6700\u4f73\u539f\u58f0\u4e13\u8f91Best Compilation Soundtrack Album For A Motion Picture, Television<br \/>\nOr Other Visual Media <\/font><\/p>\n<p><font size=\"2\"><br \/>\nGarden State<br \/>\nVarious Artists &#8211; Zach Braff, compilation producer<br \/>\n<br \/>\n[Epic\/Sony Music Soundtrax\/Fox Music] <\/font><\/p>\n<p><font size=\"2\">80 \u6700\u4f73\u539f\u58f0\u914d\u4e50\u4e13\u8f91Best Score Soundtrack Album For A Motion Picture, Television Or<br \/>\nOther Visual Media <\/font><\/p>\n<p><font size=\"2\">The Lord Of The Rings &#8211; The Return Of The King<br \/>\nHoward Shore, composer<br \/>\n(Howard Shore)<br \/>\n[Reprise\/WMG Soundtracks] <\/font><\/p>\n<p><font size=\"2\">81 \u6700\u4f73\u7535\u5f71\u7535\u89c6\u6b4c\u66f2Best Song Written For A Motion Picture, Television Or Other Visual<br \/>\nMedia <\/font><\/p>\n<p><font size=\"2\">Into The West (From The Lord Of The Rings &#8211; The Return Of The King)<br \/>\nAnnie<br \/>\nLennox, Howard Shore &amp; Fran Walsh, songwriters (Annie Lennox)<br \/>\nTrack from:<br \/>\nThe Lord Of The Rings &#8211; The Return Of The King<br \/>\n[Reprise\/WMG Soundtracks;<br \/>\nPublishers: New Line Tunes\/BMG Music Publishing.] <\/font><\/p>\n<p><font size=\"2\">\u4e8c\u5341\u4e09 \u4f5c\u66f2\u7f16\u66f2\u7c7b<\/font><\/p>\n<p><font size=\"2\">82 \u6700\u4f73\u5668\u4e50\u4f5c\u66f2Best Instrumental Composition <\/font><\/p>\n<p><font size=\"2\">Merengue<br \/>\nPaquito D&#8217;Rivera, composer (Yo-Yo Ma)<br \/>\nTrack from: Obrigado<br \/>\nBrazil &#8211; Live In Concert<br \/>\n[Sony Classical] <\/font><\/p>\n<p><font size=\"2\">83 \u6700\u4f73\u5668\u4e50\u7f16\u66f2Best Instrumental Arrangement <\/font><\/p>\n<p><font size=\"2\">Past Present &amp; Future<br \/>\nSlide Hampton, arranger (The Vanguard Jazz<br \/>\nOrchestra)<br \/>\nTrack from: The Way &#8211; Music Of Slide Hampton<br \/>\n[Planet Arts<br \/>\nRecordings] <\/font><\/p>\n<p><font size=\"2\">84 \u6700\u4f73\u7f16\u66f2\u4f34\u5531\u6b4c\u624b<br \/>\nBest Instrumental Arrangement Accompanying Vocalist(s) <br \/>\n(An<br \/>\nArranger&#8217;s Award. (Artist names appear in parenthesis.) Singles or Tracks<br \/>\nonly.)<\/font><\/p>\n<p><font size=\"2\">Over The Rainbow<br \/>\nVictor Vanacore, arranger (Ray Charles &amp; Johnny<br \/>\nMathis)<br \/>\nTrack from: Genius Loves Company<br \/>\n[Concord Records\/Hear Music] <\/font><\/p>\n<p><font size=\"2\">\u4e8c\u5341\u56db \u5957\u88c5\u4e13\u8f91\u7c7b <\/font><\/p>\n<p><font size=\"2\">85 \u6700\u4f73\u5531\u7247\u5305\u88c5Best Recording Package <\/font><\/p>\n<p><font size=\"2\">A Ghost Is Born<br \/>\nPeter Buchanan-Smith &amp; Dan Nadel, art directors<br \/>\n(Wilco)<br \/>\n[Nonesuch] <\/font><\/p>\n<p><font size=\"2\">86 \u6700\u4f73\u7cbe\u9009\u5957\u88c5\u5408\u8f91Best Boxed Or Special Limited Edition Package <\/font><\/p>\n<p><font size=\"2\">Once In A Lifetime<br \/>\nStefan Sagmeister, art director (Talking<br \/>\nHeads)<br \/>\n[Sire\/Warner Bros.\/Rhino Records] <\/font><\/p>\n<p><font size=\"2\">\u4e8c\u5341\u4e94 \u4e13\u8f91\u6587\u6848<\/font><\/p>\n<p><font size=\"2\">87 \u6700\u4f73\u4e13\u8f91\u6587\u6848Best Album Notes <\/font><\/p>\n<p><font size=\"2\">The Complete Columbia Recordings Of Woody Herman And His Orchestra &amp;<br \/>\nWoodchoppers (1945-1947)<br \/>\nLoren Schoenberg, album notes writer (Woody Herman<br \/>\n&amp; His Orchestra)<br \/>\n[Mosaic Records] <\/font><\/p>\n<p><font size=\"2\">\u4e8c\u5341\u516d \u5386\u53f2\u7c7b <\/font><\/p>\n<p><font size=\"2\">88 \u6700\u4f73\u5386\u53f2\u4e13\u8f91Best Historical Album <\/font><\/p>\n<p><font size=\"2\">Night Train To Nashville: Music City Rhythm &amp; Blues, 1945-1970<br \/>\nDaniel<br \/>\nCooper &amp; Michael Gray, compilation producers; Joseph M. Palmaccio &amp; Alan<br \/>\nStoker, mastering engineers (Various Artists)<br \/>\n[CMF\/Lost Highway Records] <\/font><\/p>\n<p><font size=\"2\">\u4e8c\u5341\u4e03 \u5236\u4f5c\u7c7b\uff08\u975e\u53e4\u5178\uff09 <\/font><\/p>\n<p><font size=\"2\">89 \u6700\u4f73\u5f55\u97f3\u4e13\u8f91Best Engineered Album, Non-Classical <br \/>\n(An Engineer&#8217;s Award.<br \/>\n(Artists names appear in parenthesis.))<\/font><\/p>\n<p><font size=\"2\">Genius Loves Company<br \/>\nRobert Fernandez, John Harris, Terry Howard, Pete<br \/>\nKaram, Joel Moss, Seth Presant, Al Schmitt &amp; Ed Thacker, engineers (Ray<br \/>\nCharles &amp; Various Artists)<br \/>\n[Concord Records\/Hear Music]<\/font><\/p>\n<p><font size=\"2\">90 \u5e74\u5ea6\u5236\u4f5c\u4ebaProducer Of The Year, Non-Classical <br \/>\n(A Producer&#8217;s Award. (Artists<br \/>\nnames appear in parenthesis.))<\/font><\/p>\n<p><font size=\"2\">John Shanks<br \/>\n? Autobiography (Ashlee Simpson) (A)<br \/>\n? Breakaway (Kelly<br \/>\nClarkson) (T)<br \/>\n? The First Cut Is The Deepest (Sheryl Crow) (T)<br \/>\n? Fly<br \/>\n(Hilary Duff) (T)<br \/>\n? Shine Your Light (Robbie Robertson) (T)<br \/>\n? So-Called<br \/>\nChaos (Alanis Morissette) (A)<\/font><\/p>\n<p><font size=\"2\">91 \u6700\u4f73\u6df7\u97f3Best Remixed Recording, Non-Classical <br \/>\n(A Remixer&#8217;s Award. (Artists<br \/>\nnames appear in parenthesis for identification.) Singles or Tracks only.)<\/font><\/p>\n<p><font size=\"2\"><br \/>\nIt&#8217;s My Life (Jacques Lu Cont&#8217;s Thin White Duke Mix)<br \/>\nJacques Lu Cont,<br \/>\nremixer (No Doubt)<br \/>\nTrack from: The Singles 1992-2003<br \/>\n[Interscope Records]<br \/>\n<\/font><\/p>\n<p><font size=\"2\">\u4e8c\u5341\u516b \u73af\u7ed5\u58f0<\/font><\/p>\n<p><font size=\"2\">92 \u6700\u4f73\u73af\u7ed5\u58f0\u4e13\u8f91Best Surround Sound Album <br \/>\n(For vocal or instrumental albums.<br \/>\nAlbums only.)<\/font><\/p>\n<p><font size=\"2\">Genius Loves Company<br \/>\nAl Schmitt, surround mix engineer; Robert Hadley<br \/>\n&amp; Doug Sax, surround mastering<br \/>\nengineers; John Burk, Phil Ramone &amp;<br \/>\nHerbert Waltl, surround producers (Ray<br \/>\nCharles &amp; Various<br \/>\nArtists)<br \/>\n[Concord Records\/Hear Music] <\/font><\/p>\n<p><font size=\"2\">\u4e8c\u5341\u4e5d \u5236\u4f5c\u7c7b\uff08\u53e4\u5178\uff09<\/font><\/p>\n<p><font size=\"2\">93 \u6700\u4f73\u5f55\u97f3Best Engineered Album, Classical <br \/>\n(An Engineer&#8217;s Award. (Artist<br \/>\nnames appear in parenthesis.))<\/font><\/p>\n<p><font size=\"2\"><br \/>\nHigdon: City Scape; Concerto For Orchestra<br \/>\nJack Renner, engineer<br \/>\n(Robert Spano)<br \/>\n[Telarc] <\/font><\/p>\n<p><font size=\"2\">94 \u5e74\u5ea6\u5236\u4f5c\u4ebaProducer Of The Year, Classical <br \/>\n(A Producer&#8217;s Award. (Artist<br \/>\nnames appear in parenthesis.))<\/font><\/p>\n<p><font size=\"2\">David Frost<\/font><\/p>\n<p><font size=\"2\">\u4e09\u5341 \u53e4\u5178\u7c7b <\/font><\/p>\n<p><font size=\"2\">95 \u6700\u4f73\u53e4\u5178\u4e50\u4e13\u8f91Best Classical Album <br \/>\n(Award to the Artist(s) and to the Album<br \/>\nProducer(s) if other than the Artist.)<\/font><\/p>\n<p><font size=\"2\">Adams: On The Transmigration Of Souls<br \/>\nLorin Maazel, conductor; John Adams<br \/>\n&amp; Lawrence Rock, producers (Brooklyn Youth Chorus &amp; New York Choral<br \/>\nArtists; New York Philharmonic)<br \/>\n[Nonesuch Records] <\/font><\/p>\n<p><font size=\"2\">96 \u6700\u4f73\u4ea4\u54cd\u4e50\u4f5c\u54c1Best Orchestral Performance <br \/>\n(Award to the Conductor and to the<br \/>\nOrchestra.)<\/font><\/p>\n<p><font size=\"2\">Adams: On The Transmigration Of Souls<br \/>\nLorin Maazel, conductor (Brooklyn<br \/>\nYouth Chorus &amp; New York Choral Artists; New<br \/>\nYork<br \/>\nPhilharmonic)<br \/>\n[Nonesuch Records] <\/font><\/p>\n<p><font size=\"2\">97 \u6700\u4f73\u6b4c\u5267\u5f55\u97f3Best Opera Recording <br \/>\n(Award to the Conductor, Album Producer(s)<br \/>\nand Principal Soloists.)<\/font><\/p>\n<p><font size=\"2\">Mozart: Le Nozze Di Figaro<br \/>\nRen\u00e9 Jacobs, conductor; Patrizia Ciofi,<br \/>\nV\u00e9ronique Gens, Simon Keenlyside, Angelika Kirchschlager &amp; Lorenzo Regazzo;<br \/>\nMartin Sauer, producer (Various Artists; Concerto K?ln)<br \/>\n[Harmonia Mundi] <\/font><\/p>\n<p><font size=\"2\">98 \u6700\u4f73\u5408\u5531\u961f\u4f5c\u54c1Best Choral Performance <br \/>\n(Award to the Choral Conductor, and to<br \/>\nthe Orchestra Conductor if an Orchestra is on the recording, and to the Choral<br \/>\nDirector or Chorus Master if applicable.)<\/font><\/p>\n<p><font size=\"2\"><br \/>\nBerlioz: Requiem<br \/>\nRobert Spano, conductor; Norman Mackenzie, choir<br \/>\ndirector (Frank Lopardo, tenor; Atlanta Symphony Orchestra Chorus; Atlanta<br \/>\nSymphony Orchestra)<br \/>\n[Telarc] <\/font><\/p>\n<p><font size=\"2\">99 \u6700\u4f73\u5668\u4e50\u72ec\u594fBest Instrumental Soloist(s) Performance (with Orchestra) <br \/>\n(Award<br \/>\nto the Instrumental Soloist(s) and to the Conductor.)<\/font><\/p>\n<p><font size=\"2\"><br \/>\nPrevin: Violin Concerto &#8220;Anne-Sophie&#8221;\/Bernstein: Serenade<br \/>\nAndr\u00e9<br \/>\nPrevin, conductor; Anne-Sophie Mutter, violin (Boston Symphony Orchestra &amp;<br \/>\nLondon Symphony Orchestra)<br \/>\n[Deutsche Grammophon] <\/font><\/p>\n<p><font size=\"2\">100 \u6700\u4f73\u5668\u4e50\u72ec\u594f\uff08\u65e0\u4ea4\u54cd\u4e50\u56e2\uff09<\/font><\/p>\n<p><font size=\"2\">Best Instrumental Soloist Performance (without Orchestra) <br \/>\n(Award to the<br \/>\nInstrumental Soloist.)<\/font><\/p>\n<p><font size=\"2\">Aire Latino (Morel, Villa-Lobos, Ponce, Etc.)<br \/>\nDavid Russell,<br \/>\nguitar<br \/>\n[Telarc] <\/font><\/p>\n<p><font size=\"2\">101 \u6700\u4f73\u5ba4\u5185\u4e50\u4f5c\u54c1Best Chamber Music Performance <br \/>\n(Award to the Artists.)<\/font><\/p>\n<p><font size=\"2\"><br \/>\nProkofiev (Arr. Pletnev): Cinderella &#8211; Suite For Two Pianos\/Ravel: Ma<br \/>\nM\u00e8re L&#8217;Oye<br \/>\nMartha Argerich, piano &amp; Mikhail Pletnev, piano<br \/>\n[Deutsche<br \/>\nGrammophon] <\/font><\/p>\n<p><font size=\"2\">102 \u6700\u4f73\u5c0f\u578b\u7ec4\u5408\u4f5c\u54c1Best Small Ensemble Performance (with or without Conductor)<br \/>\n<br \/>\n(Award to the Ensemble (and to the Conductor.))<\/font><\/p>\n<p><font size=\"2\"><br \/>\nCarlos Ch\u00e1vez &#8211; Complete Chamber Music, Vol. 2<br \/>\nJeff von der Schmidt,<br \/>\nconductor; Southwest Chamber Music<br \/>\n[Cambria Master Recordings] <\/font><\/p>\n<p><font size=\"2\">103 \u6700\u8fd1\u53e4\u5178\u4e50\u6f14\u5531\u4e13\u8f91Best Classical Vocal Performance <br \/>\n(Award to the Vocal<br \/>\nSoloist(s).)<\/font><\/p>\n<p><font size=\"2\"><br \/>\nIves: Songs (The Things Our Fathers Loved; The Housatonic At Stockbridge,<br \/>\nEtc.)<br \/>\nSusan Graham, mezzo soprano (Pierre-Laurent Aimard, piano)<br \/>\nTrack<br \/>\nfrom: Ives: Concord Sonata; Songs<br \/>\n[Warner Classics] <\/font><\/p>\n<p><font size=\"2\"><br \/>\n104 \u6700\u4f73\u53e4\u5178\u4e50\u5f53\u4ee3\u4f5c\u66f2 Best Classical Contemporary Composition <br \/>\n(A Composer&#8217;s<br \/>\nAward. (For a contemporary classical composition composed within the last 25<br \/>\nyears, and released for the first time during the Eligibility Year.))<\/font><\/p>\n<p><font size=\"2\">Adams: On The Transmigration Of Souls<br \/>\nJohn Adams (Lorin Maazel; Brooklyn<br \/>\nYouth Chorus &amp; New York Choral Artists; New<br \/>\nYork<br \/>\nPhilharmonic)<br \/>\n[Nonesuch Records; Publisher: Hendon Music.] <\/font><\/p>\n<p><font size=\"2\">105 \u6700\u4f73\u53e4\u5178\u4e50\u8de8\u754c\u4e13\u8f91<\/font><\/p>\n<p><font size=\"2\">Best Classical Crossover Album <br \/>\n(Award to the Artist(s) and\/or to the<br \/>\nConductor.)<\/font><\/p>\n<p><font size=\"2\">LAGQ&#8217;s Guitar Heroes<br \/>\nLos Angeles Guitar Quartet<br \/>\n[Telarc] <\/font><\/p>\n<p><font size=\"2\">\u4e09\u5341\u4e00 \u97f3\u4e50\u5f55\u5f71\u7c7b<\/font><\/p>\n<p><font size=\"2\">106 \u6700\u4f73MV\u77ed\u7247 Best Short Form Music Video <br \/>\n(For an individual track or single<br \/>\npromotional clip. Award to the Artist and to the Video Director\/Producer.)<\/font><\/p>\n<p><font size=\"2\">Vertigo<br \/>\nU2<br \/>\nAlex &amp; Martin, video director; Grace Bodie, video<br \/>\nproducer<br \/>\n[Interscope Records] <\/font><\/p>\n<p><font size=\"2\">107 \u6700\u4f73MV\u957f\u7247Best Long Form Music Video <br \/>\n(For video album packages consisting<br \/>\nof more than one song or track. Award to the Artist and to the Video<br \/>\nDirector\/Producer of at least 51% of the total playing time.)<\/font><\/p>\n<p><font size=\"2\">Concert For George<br \/>\nVarious Artists<br \/>\nDavid Leland, video director; Ray<br \/>\nCooper, Olivia Harrison &amp; Jon Kamen, video producers<br \/>\n[Warner Strategic<br \/>\nMarketing]<br \/>\n<\/font><font size=\"1\"><br \/>\n            \u6765\u3000\u6e90\uff1a\u4e0a\u6d77\u70ed\u7ebf<\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\ud83d\udc49 \u672c\u6587\u4f5c\u8005\uff1alee-recommend [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[16],"tags":[],"class_list":["post-8512","post","type-post","status-publish","format-standard","hentry","category-ent"],"_links":{"self":[{"href":"http:\/\/15.134.89.131\/archive\/index.php?rest_route=\/wp\/v2\/posts\/8512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/15.134.89.131\/archive\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/15.134.89.131\/archive\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/15.134.89.131\/archive\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/15.134.89.131\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8512"}],"version-history":[{"count":1,"href":"http:\/\/15.134.89.131\/archive\/index.php?rest_route=\/wp\/v2\/posts\/8512\/revisions"}],"predecessor-version":[{"id":16636,"href":"http:\/\/15.134.89.131\/archive\/index.php?rest_route=\/wp\/v2\/posts\/8512\/revisions\/16636"}],"wp:attachment":[{"href":"http:\/\/15.134.89.131\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/15.134.89.131\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8512"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/15.134.89.131\/archive\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}